My friend and I were walking from one gate to another. It was dark and cloudy and in the sky, an object was on flames. We looked intently and observed a disc behind the flames. It was the moon! The flame was engulfing it and spread across like lotus. We wanted to capture the burning moon. I readied my phone camera. But the moon just moved across and disappeared behind the clouds. The flame vanished.
Monday, April 8, 2019
Sunday, April 7, 2019
Hallucination - i
Two figures came out of the lift. The male in the front was a stranger. The woman behind looked familiar. But I felt she was a stranger too as she could be related to the stranger in front of her. How could I know this unknown couple? I turned my head but felt a glimpse of a smile on the woman's face. We crossed. Then I remembered her husband and then her too. I see her almost every day.
Thursday, October 18, 2018
Love, Lust and Marriage
the unspoken words
if spoken
that graceful feeling
will the kindness ever last?
the silence and touch
if broken
the solo sailing
in the unchartered waters
drowns in the storm
the unspoken words
if spoken
that invigorating feeling
will the rawness remain pure?
the silence and touch
if broken
the thrill of anticipation
when our blood gushes
douses in the mundane
the unspoken words
if spoken
that dreaded feeling
will the impasse ever pass?
the silence and touch
if broken
the shared moments
where we faced the odds
comes to nothing
if spoken
that graceful feeling
will the kindness ever last?
the silence and touch
if broken
the solo sailing
in the unchartered waters
drowns in the storm
the unspoken words
if spoken
that invigorating feeling
will the rawness remain pure?
the silence and touch
if broken
the thrill of anticipation
when our blood gushes
douses in the mundane
the unspoken words
if spoken
that dreaded feeling
will the impasse ever pass?
the silence and touch
if broken
the shared moments
where we faced the odds
comes to nothing
Monday, September 10, 2018
Movie Review - Prendre le large(Catch the Wind)
This movie envisages a situation where a working class person from a developed country(France) moves to a developing country(Morocco) for work. There are multiple themes running in this movie that I found interesting. The movie is political correctness in its most rational form.
Kitchen
Edith (the French working class woman) doesn't get her own lunch box and looks for Cafeteria in her Moroccan factory(which of course doesn't have one). She loves cooking and says it relaxes her. Here cooking has become a leisurely enjoyable activity for even the working class women of developed countries. The routine cooking has been left to the service industry. In a way, even a working class person generates the jobs in a developed world.
Islam
Islamic fundamentalists are viewed as a regressive force. The example of this regressiveness is shown through their charity work. Charity is a means to spread their regressive outlook. So relatable.
The menfolk
An educated Moroccan is helpful and civil to Edith. However, he thrashes a poor boy, who was helping her, thinking that the boy was going to rob her. He even cautions her to be careful with the strangers. The educated Moroccan basically demonstrates the stereotypical class feelings within the country, however, the person who robs her later does come from the country's dark underbelly. Then there was a male who offered her a strawberry picking job at the expense of his own countrywoman. That might show some third world men's unhealthy obsession with the first world women in their preference and treatment.
The womenfolk
The good women are the ones who don't wear burkha, be it Mina, her landlady, or Karima, her best friend in the factory. Mina is a divorcee who lives her life on her own terms. She brings up her son in liberal values as he is cool with her single lifestyle and casual dating. The villain, sort of, Najat, a woman in burkha. Najat, of course, has a backstory. Her fiance had moved to France and instead of sending for her, married the local woman. Now she's bitter about life in general and the foreigner in particular. Here we see the alienation felt by the section of the population where one section enjoys the fruits of liberalism but doesn't carry the remaining along with them. Even though her own culture is suppressive of her free movement, her bitterness is towards the people who are free but don't take the responsibility of freeing others. Further, we see how this bitterness further degenerates into inhumanity. When Edith files a complaint about her incompetence, she takes the revenge not just on Edith but also on hapless Karima.
The gap
After failing to be a working-class woman in Morocco, Edith goes back to France. Her friends in France had cautioned her that her severance package was far better than whatever she gets in Morocco as a salary in redeployment and also about the pitiable working conditions. Both turned out to be true. But she sells her home in France and goes back to Morocco to start a restaurant along with Mina. So, even though she's a working-class woman in France, her social capital is such that she could become a bourgeois in Morocco.
Kitchen
Edith (the French working class woman) doesn't get her own lunch box and looks for Cafeteria in her Moroccan factory(which of course doesn't have one). She loves cooking and says it relaxes her. Here cooking has become a leisurely enjoyable activity for even the working class women of developed countries. The routine cooking has been left to the service industry. In a way, even a working class person generates the jobs in a developed world.
Islam
Islamic fundamentalists are viewed as a regressive force. The example of this regressiveness is shown through their charity work. Charity is a means to spread their regressive outlook. So relatable.
The menfolk
An educated Moroccan is helpful and civil to Edith. However, he thrashes a poor boy, who was helping her, thinking that the boy was going to rob her. He even cautions her to be careful with the strangers. The educated Moroccan basically demonstrates the stereotypical class feelings within the country, however, the person who robs her later does come from the country's dark underbelly. Then there was a male who offered her a strawberry picking job at the expense of his own countrywoman. That might show some third world men's unhealthy obsession with the first world women in their preference and treatment.
The womenfolk
The good women are the ones who don't wear burkha, be it Mina, her landlady, or Karima, her best friend in the factory. Mina is a divorcee who lives her life on her own terms. She brings up her son in liberal values as he is cool with her single lifestyle and casual dating. The villain, sort of, Najat, a woman in burkha. Najat, of course, has a backstory. Her fiance had moved to France and instead of sending for her, married the local woman. Now she's bitter about life in general and the foreigner in particular. Here we see the alienation felt by the section of the population where one section enjoys the fruits of liberalism but doesn't carry the remaining along with them. Even though her own culture is suppressive of her free movement, her bitterness is towards the people who are free but don't take the responsibility of freeing others. Further, we see how this bitterness further degenerates into inhumanity. When Edith files a complaint about her incompetence, she takes the revenge not just on Edith but also on hapless Karima.
The gap
After failing to be a working-class woman in Morocco, Edith goes back to France. Her friends in France had cautioned her that her severance package was far better than whatever she gets in Morocco as a salary in redeployment and also about the pitiable working conditions. Both turned out to be true. But she sells her home in France and goes back to Morocco to start a restaurant along with Mina. So, even though she's a working-class woman in France, her social capital is such that she could become a bourgeois in Morocco.
Sunday, August 5, 2018
ನಡುಹರೆಯ
ಇದ್ದದ್ದರಲ್ಲೇ ನೆಮ್ಮದಿ ಎಂದರೆ ಪ್ರತಿ ಬೆಳಗು ಬದುಕ ಅಸಹನೀಯವಾಗಿ ನೀಳವಾಗಿಸುವುದು
ಮತ್ತೇನಾದರು ತೊಡಗುವ ಎಂದರೆ ಪ್ರತಿ ಇರುಳು ಬದುಕ ಹತಾಶಕರವಾಗಿ ಕುಬ್ಜಗೊಳಿಸುವುದು
ಮತ್ತೇನಾದರು ತೊಡಗುವ ಎಂದರೆ ಪ್ರತಿ ಇರುಳು ಬದುಕ ಹತಾಶಕರವಾಗಿ ಕುಬ್ಜಗೊಳಿಸುವುದು
Monday, April 9, 2018
Nothing happened
It was lit but maybe it wasn't
fluorescence merged with the night
The mood was ecstatic without the high
and it started but nobody knew why
We two were Thomas Hardy's natives
as we chased them up the hill
Heard them run down and giggle
It was a new dawn in the shades
We were free in the chasing spree
But the light showed the other's face
We saw something we didn't feel
Ashamed we were Tolstoy's characters
for the thought crimes though not real
"Let's stop and sit here"
So we said unto each other
and we stopped and sat forever
fluorescence merged with the night
The mood was ecstatic without the high
and it started but nobody knew why
We two were Thomas Hardy's natives
as we chased them up the hill
Heard them run down and giggle
It was a new dawn in the shades
We were free in the chasing spree
But the light showed the other's face
We saw something we didn't feel
Ashamed we were Tolstoy's characters
for the thought crimes though not real
"Let's stop and sit here"
So we said unto each other
and we stopped and sat forever
Sunday, April 1, 2018
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